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Ebook Non ci sono solo le arance by Jeanette Winterson read! Book Title: Non ci sono solo le arance
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Reader ratings: 4.3
The author of the book: Jeanette Winterson
Edition: Mondadori
Date of issue: 2006
ISBN: 8804466537
ISBN 13: 9788804466536
Language: English
Format files: PDF
The size of the: 24.91 MB
City - Country: No data

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Jeanette, orfano sensibile, intelligente e ribelle, viene adottato da una famiglia di evangelisti e cupo nord industrializzato della Gran Bretagna. La sua infanzia diventa un mix surreale di prediche, catechismo, rantolo di tamburello in chiesa orchestra e l'adattamento tardi per i rigori del sistema educativo. Tuttavia, come l'adolescenza Jeanette si avvicina, una carriera missionario di iniziare a preparare i genitori a perdere la loro aura, i giovani scoprono la loro sessualità a tutti gli ortodossi e il silenzio la famiglia va in pezzi. Jeanette dovrà scegliere tra la verità e la verità della Bibbia anima lei e coraggiosa decisione che sarà l'inizio di un percorso tortuoso tra punti di riferimento originali e insolite del destino


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Read information about the author

Ebook Non ci sono solo le arance read Online! Novelist Jeanette Winterson was born in Manchester, England in 1959. She was adopted and brought up in Accrington, Lancashire, in the north of England. Her strict Pentecostal Evangelist upbringing provides the background to her acclaimed first novel, Oranges Are Not the Only Fruit, published in 1985. She graduated from St Catherine's College, Oxford, and moved to London where she worked as an assistant editor at Pandora Press.

One of the most original voices in British fiction to emerge during the 1980s, Jeanette Winterson was named as one of the 20 'Best of Young British Writers' in a promotion run jointly between the literary magazine Granta and the Book Marketing Council.

Her novels include Boating for Beginners (1985), published shortly after Oranges Are Not the Only Fruit and described by the author as 'a comic book with pictures'; The Passion (1987), twin narratives following the adventures of the web-footed daughter of a Venetian gondolier and Napoleon's chicken chef; Sexing the Cherry (1989), an invented world set during the English Civil War featuring the fabulous 'Dog Woman' and the orphan she raises; and three books exploring triangular relationships, gender and formal experimentation: Written on the Body (1992), Art and Lies (1994) and Gut Symmetries (1997). She is also the author of a collection of short stories, The World and Other Places (1998), and a book of essays about art and culture, Art Objects, published in 1995.

Her novel The Power Book (2000) she adapted for the National Theatre in 2002. Jeanette Winterson's work is published in 28 countries. Her latest novel is The Battle of the Sun (2009). She has also edited Midsummer Nights (2009), a collection of stories inspired by opera, by contemporary writers, to commemorate the 75th anniversary of the Glyndebourne Festival of Opera.

She adapted Oranges Are Not the Only Fruit for BBC television in 1990, and also wrote Great Moments in Aviation, a television screenplay directed by Beeban Kidron for BBC2 in 1994. She is also editor of a series of new editions of novels by Virginia Woolf published in the UK by Vintage. She is a regular contributor of reviews and articles to many newspapers and journals and has a regular column published in The Guardian. Her radio drama includes the play Text Message, broadcast by BBC Radio in November 2001.

The King of Capri (2003) and Tanglewreck (2006) are children's stories. Lighthousekeeping (2004), centres on the orphaned heroine Silver, taken in by the keeper of the Cape Wrath lighthouse, Mr Pew, whose stories of love and loss, passion and longing, are interwoven in the narrative. Her most recent book is The Battle of the Sun (2009).

Jeanette Winterson lives in Gloucestershire and London. In 2006, she was awarded an OBE.


Reviews of the Non ci sono solo le arance


FINLEY

There are clear drawbacks

KAI

The idea is great, but sometimes the text suffers

LAYLA

The book is very deep! Tip for Reading.

KIAN

This book is holding in tensions until the end!

OLIVIA

Why do you need to write a phone?




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