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Book Title: Der Herr der Ringe|
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Reader ratings: 7.8
The author of the book: J.R.R. Tolkien
Date of issue: October 14th 2015
ISBN 13: 9783608960891
Format files: PDF
The size of the: 762 KB
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Twenty-five years ago I'd have given The Lord of the Rings my highest possible praise. I came to Tolkien's masterpiece on my own, and that meant much to me at twelve. The only books that had been reached by me alone were books on mythology and horror. Everything else I read, from DH Lawrence to Hemingway to Dickens to Shakespeare (and this also included Dracula and Dr. Jeckyll and Mr. Hyde because they were "true" classics), was suggested and sanctioned by my mother (for which I will always owe her deeply).
But The Lord of the Rings was mine and mine alone.
It is easy to forget that The Lord of the Rings was not a pop culture phenomenon in the seventies and early eighties. It was a fringe book (at least in North America), something that was not yet considered a part of the canon, something that was not a name on every boy's lips (even if they were just getting to know D&D) let alone every child's lips. Sure it was respected and loved by those who knew it, but knowing it was not a foregone conclusion as it is today, and its audience was almost completely genre oriented. In my little community (my school and the blocks surrounding my home), I was the first kid to read it.
And that first reading was a revelation. Sure I'd read The Hobbit, but that didn't prepare me for the breadth and depth of The Lord of the Rings. Middle Earth in its grandest incarnation.
To create a fantasy world is one thing, but to breathe life into ages of that world, to keep all the pieces together with such magnificent detail and rigour, to create character after believable character and make us care about most of them, even poor Smeagol/Gollum, that is a literary labour of Hercules. And by pulling it off, Tolkien created the single most important manifestation of Fantasy that has ever and will ever be written. The Lord of the Rings has rightly been named a classic. It is part of the canon, and it deserves its place. It is entertaining, it is weighty, and it is loved by nearly all.
Aye...and there's the rub.
Its indisputable greatness has made it indisputable.
It has become dogma among fanboys and fangirls that the bastions of The Lord of the Rings are unassailable. Criticize Tolkien's work -- academically or otherwise -- and you put yourself in almost as much danger as a chatty atheist trying to engage in a theological discussion in a coliseum full of Jehovah's Witnesses (how many of those folks will make it into the afterlife? Isn't there a limit?).
Feminist critics point out the lack of women in The Lord of the Rings, and that those women who are present fulfill only the narrowest stereotypes. Éowyn's strength is dependent upon adopting male gender qualities, a typical stereotype of "powerful women in fantasy," and she is alone amongst the Rohirrim as a woman who can and will fight. All other women in her culture are present as a reason to fight rather than as integral parts of the struggle. Arwen's place (in the books, at least) as a maiden waiting for the hand of her king takes the "reason to fight" to even greater heights. And the only powerful female, Galadriel as the terrible, beautiful elven Queen, is too far removed from mortality and reality to be anything more than a mid-tale deus ex machina, thereby removing her from the realm of women and men and making her a pseudo-god whose power is allowed only because it is arcane and mysterious.
Post-Colonial critics have latched onto the racism inherent in The Lord of the Rings, pointing out the hierarchies between the races: from the "superiority" of the elves, to the "chosen" role of "European" Men of the West under the leadership of Aragorn, to the lesser races of Dwarves and Hobbits (the former are "lesser" because they are "too greedy" and the latter are "lesser" because they are children). Post-Colonialists look to the "orientalization" of Sauron's forces and the configuration of evil as an inherent quality of Orcs and "the dark folk." They point out Tolkien's family's history as a cog in the mechanism of English Imperialism, and his own birth in one of the most blatantly racist colonies of all, South Africa (while he did leave at three years old, his family's presence there at all suggests that some of the classic colonial opinions about the colonized "dark races" helped form the man who wrote these books), as possible reasons for this racism.
These criticisms further suggest, at least to me, that the archetypal source of all fantasy's entrenched racism -- even those books being written today -- is The Lord of the Rings. Those fantasy authors who have followed Tolkien consistently and inescapably embrace his configuration of the races (yes, even those like R.A. Salvatore who try and fail to derail this configuration) and the concepts of good and evil that go along with them, which leads to the stagnation and diminishment of their genre.
The fact is that these flaws do exist in The Lord of the Rings. They are present. They are easy to find. But few of Tolkien's rabid fans want to hear about them.
And even when the criticism is not necessarily suggesting a flaw in Tolkien's work but merely the presence of some subtext, the dogmatists react with rage and condemnation. A fine example of this is when Queer and Gender theorists point to the overwhelming relationships between men, and how the relationship between Frodo and Sam is homosocial, at least, and possibly even homosexual. The only true intimacy in the book occurs between the men, after all, and to ignore that fact is to ignore one of key components of why The Lord of the Rings is so emotionally satisfying, especially to young men.
Even faced with these ideas supported by convincing arguments, however, many fans either strive for ignorance or attack the messenger. This may have much to do with the worry -- unreasonable though it is -- that to admit that a flaw or something uncomfortable exists in any of these books, which so many people love so deeply, is to accept that The Lord of the Rings is neither great nor worthy of love.
But this is not the case.
I love The Lord of the Rings even though I subscribe completely to the post-colonial criticism, and see the merits in both the feminine and queer criticisms, not to mention the countless other criticisms and subtexts that are floating around.
The books are racist; they are sexist. They are not perfect. And I must criticize the elements of The Lord of the Rings that make me uncomfortable and deserve no praise. But my complaints and the complaints of critics make Tolkien's achievement no less great.
Tolkien created the most magnificent imaginary world ever conceived, and, for good or ill, Fantasy would be nothing today were it not for him. The Lord of the Rings is a triumph on countless levels, but it is not the word of God, nor should it be elevated to such heights.
I love The Lord of the Rings, but I love it with reservations. I love it because of its place in my personal mythology, its genuine originality, its creativity, its power, but I love it with my mind open to its flaws, and I refuse to make excuses for Tolkien or his work.
Twenty-five years ago I'd have given The Lord of the Rings my highest possible praise. Not today. But I am still willing to admit my love.
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Read information about the authorJohn Ronald Reuel Tolkien, CBE, was an English writer, poet, WWI veteran (a First Lieutenant in the Lancashire Fusiliers, British Army), philologist, and university professor, best known as the author of the high fantasy classic works The Hobbit and The Lord of the Rings .
Tolkien was Rawlinson and Bosworth Professor of Anglo-Saxon at Oxford from 1925 to 1945, and Merton Professor of English language and literature from 1945 to 1959. He was a close friend of C.S. Lewis.
Christopher Tolkien published a series of works based on his father's extensive notes and unpublished manuscripts, including The Silmarillion . These, together with The Hobbit and The Lord of the Rings, form a connected body of tales, poems, fictional histories, invented languages, and literary essays about an imagined world called Arda, and Middle-earth within it. Between 1951 and 1955, Tolkien applied the word "legendarium" to the larger part of these writings.
While many other authors had published works of fantasy before Tolkien, the great success of The Hobbit and The Lord of the Rings led directly to a popular resurgence of the genre. This has caused Tolkien to be popularly identified as the "father" of modern fantasy literature—or more precisely, high fantasy. Tolkien's writings have inspired many other works of fantasy and have had a lasting effect on the entire field.
In 2008, The Times ranked him sixth on a list of "The 50 greatest British writers since 1945". Forbes ranked him the 5th top-earning dead celebrity in 2009.
J.R.R. Tolkien, was born in South Africa in 1892, but his family moved to Britain when he was about 3 years old. When Tolkien was 8 years old, his mother converted to Catholicism, and he remained a Catholic throughout his life. In his last interview, two years before his death, he unhesitatingly testified, “I’m a devout Roman Catholic.”
Tolkien married his childhood sweetheart, Edith, and they had four children. He wrote them letters each year as if from Santa Claus, and a selection of these was published in 1976 as The Father Christmas Letters . One of Tolkien’s sons became a Catholic priest. Tolkien was an advisor for the translation of the Jerusalem Bible .
Tolkien once described The Lord of the Rings to his friend Robert Murray, an English Jesuit priest, as "a fundamentally religious and Catholic work, unconsciously so at first, but consciously in the revision." There are many theological themes underlying the narrative including the battle of good versus evil, the triumph of humility over pride, and the activity of grace. In addition the saga includes themes which incorporate death and immortality, mercy and pity, resurrection, salvation, repentance, self-sacrifice, free will, justice, fellowship, authority and healing. In addition The Lord's Prayer "And lead us not into temptation, but deliver us from evil" was reportedly present in Tolkien's mind as he described Frodo's struggles against the power of the "One Ring.''
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