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Book Title: اسطنبول: الذكريات والمدينة|
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Reader ratings: 3.8
The author of the book: Orhan Pamuk
Edition: الهيئة المصرية العامة لكتاب
Date of issue: 2008
ISBN: No data
ISBN 13: No data
Format files: PDF
The size of the: 6.18 MB
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Read full description of the books:
Pamuk was already one of my favourite authors when I read his memoir of his beloved city - Istanbul - in conjunction with a family vacation there. What an amazing reading experience that was!
Imagine that old, old city, full of stories after centuries of human interaction, of cultural clashes and exchanges, of architectural wonders and wars of destruction.
And then imagine one of its most talented writers, a storyteller with the power of 1001 nights, telling the story of the city from his personal angle, sharing his historical knowledge, his family history, and personal relationships, both fictional and real.
Imagine walking the streets and recognising each cobblestone Pamuk mentions.
Imagine going to the markets and taking in the colours and flavours of the spices that he describes, hearing the voices of the lively sellers and buyers, engaged in an everyday dialogue that you might not understand, but feel close to all of a sudden, as you have the voice of Pamuk in your head.
Imagine feeling connected to a completely foreign world through the literary masterpiece of an author who knows how to cross the bridge between Asia and Europe, both literally and figuratively speaking!
Imagine moving around that beautiful, powerful city with your own family while stepping into the living-room of Pamuk's childhood home, meeting his relatives from different generations.
Imagine feeling the hüzün, the melancholy of Istanbul, almost as if it was possible to touch it physically, guided by Pamuk's experience of spiritual loss as a chain that links together a city in an eternal identity crisis:
"For me it has always been a city of ruins and of end-of-empire melancholy. I’ve spent my life either battling with this melancholy or (like all İstanbullus) making it my own."
Identity crisis as the defining element of identity itself - that is an idea only literature can explain and transmit, in conjunction with the black and white photographs of a fictional past glory and the experience of intense life carried out on the streets of modern Istanbul.
As readable as Dickens' London tales and Zola's accounts of Paris, Pamuk gives his home town the best tribute possible: he invites literary travellers to participate in the imagination of its torn soul.
I couldn't help seeing the city partially with the Scandinavian painter's eyes as well, seeing Zorn's painting of the Bosporus as a visual tribute to the melancholy beauty of local life that Pamuk celebrates.
East meets West.
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Read information about the authorOrhan Pamuk was born in Istanbul in 1952 and grew up in a large family similar to those which he describes in his novels Cevdet Bey and His Sons and The Black Book, in the wealthy westernised district of Nisantasi. As he writes in his autobiographical book Istanbul, from his childhood until the age of 22 he devoted himself largely to painting and dreamed of becoming an artist. After graduating from the secular American Robert College in Istanbul, he studied architecture at Istanbul Technical University for three years, but abandoned the course when he gave up his ambition to become an architect and artist. He went on to graduate in journalism from Istanbul University, but never worked as a journalist. At the age of 23 Pamuk decided to become a novelist, and giving up everything else retreated into his flat and began to write.
His first novel Cevdet Bey and His Sons was published seven years later in 1982. The novel is the story of three generations of a wealthy Istanbul family living in Nisantasi, Pamuk's own home district. The novel was awarded both the Orhan Kemal and Milliyet literary prizes. The following year Pamuk published his novel The Silent House, which in French translation won the 1991 Prix de la découverte européene. The White Castle (1985) about the frictions and friendship between a Venetian slave and an Ottoman scholar was published in English and many other languages from 1990 onwards, bringing Pamuk his first international fame. The same year Pamuk went to America, where he was a visiting scholar at Columbia University in New York from 1985 to 1988. It was there that he wrote most of his novel The Black Book, in which the streets, past, chemistry and texture of Istanbul are described through the story of a lawyer seeking his missing wife. This novel was published in Turkey in 1990, and the French translation won the Prix France Culture. The Black Book enlarged Pamuk's fame both in Turkey and internationally as an author at once popular and experimental, and able to write about past and present with the same intensity. In 1991 Pamuk's daughter Rüya was born. That year saw the production of a film Hidden Face, whose script by Pamuk was based on a one-page story in The Black Book.
His novel The New Life, about young university students influenced by a mysterious book, was published in Turkey in 1994 and became one of the most widely read books in Turkish literature. My Name Is Red, about Ottoman and Persian artists and their ways of seeing and portraying the non-western world, told through a love story and family story, was published in 1998. This novel won the French Prix du meilleur livre étranger, the Italian Grinzane Cavour (2002) and the International IMPAC Dublin literary award (2003). From the mid-1990s Pamuk took a critical stance towards the Turkish state in articles about human rights and freedom of thought, although he took little interest in politics. Snow, which he describes as “my first and last political novel” was published in 2002. In this book set in the small city of Kars in northeastern Turkey he experimented with a new type of “political novel”, telling the story of violence and tension between political Islamists, soldiers, secularists, and Kurdish and Turkish nationalists. Snow was selected as one of the best 100 books of 2004 by The New York Times. In 1999 a selection of his articles on literature and culture written for newspapers and magazines in Turkey and abroad, together with a selection of writings from his private notebooks, was published under the title Other Colours. Pamuk's most recent book, Istanbul, is a poetical work that is hard to classify, combining the author's early memoirs up to the age of 22, and an essay about the city of Istanbul, illustrated with photographs from his own album, and pictures by western painters and Turkish photographers.
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